Kullanıcı Aletleri

Site Aletleri


yazarlar:neuromancer

Farklar

Bu sayfanın seçili sürümü ile mevcut sürümü arasındaki farkları gösterir.

Karşılaştırma görünümüne bağlantı

İki taraf da önceki sürüm Önceki sürüm
Sonraki sürüm
Önceki sürüm
yazarlar:neuromancer [2011/04/20 18:43]
editor [Sinema]
yazarlar:neuromancer [2013/03/30 23:39]
televarolus [Yeni dalga bilim-kurgu edebiyatı içinde Neuromancer]
Satır 1: Satır 1:
 ====== Neuromancer ====== ====== Neuromancer ======
 (Ya da güncellenmiş adı ile //Matrix Avcısı//) (Ya da güncellenmiş adı ile //Matrix Avcısı//)
 +
 //"And then it all faded to cool gray static and an endless tone poem in the artificial language."//​ **Johnny Mnemonic** //"And then it all faded to cool gray static and an endless tone poem in the artificial language."//​ **Johnny Mnemonic**
 +
 +Bilim-kurgu yazarı [[yazarlar:​william_gibson|William Gibson]]'​un 1984 yılında yayınladığı siberpunk türündeki romanıdır. Sprawl Üçlemesi olarak adlandırılan ve Neuromancer,​ Kont Sıfır ve Mona Lisa romanları, Gibson'​a büyük ün kazandırmış,​ siberpunk bilim-kurgu türünün kısa ömründe oldukça belirleyici olmuştur. Gibson bu romanı ve romana ön ayak olan kısa öyküsü ile oldukça ilgi çekmiştir. Neuromancer,​ üç büyük bilim-kurgu edebiyat ödülünü alan ender romanlardan biridir. 2009 yılına kadar kitap, 6.5 milyon adet satılmıştır.
  
 ===== Tarihçe ===== ===== Tarihçe =====
  
 +[{{ http://​static.ideefixe.com/​images/​120/​120194_2.jpg?​160|Altın Kitaplar tarafından basılan Neuromancer. Matrix filminin popülerliğinden sonra kitabın ismine bir de [[http://​www.eksisozluk.com/​show.asp?​t=matrix%20avc%C4%B1s%C4%B1|Matrix Avcısı]] ifadesi eklenmiştir. Kitap, büyük süpermarketlerde 4.90 TL gibi bir fiyata bulunabilmektedir. Ve bu konu William Gibson'​a kadar [[http://​www.williamgibsonbooks.com/​archive/​2003_06_01_archive.asp#​200384540|ulaşmıştır]].}}]
 +
 +Terry Carr, editor of the newly resurrected Ace Science Fiction Specials series, had other ideas. He approached Gibson and asked him to do a book. Carr felt much current science fiction was "​simply skilled,"​ "timid and literarily defensive"​ (N, preface). He was on the lookout for young SF writers with promise, aesthetic quality, and vivid extrapolative imaginations who would revitalize the series which in its first incarnation had brought forth work by such authors as Ursula K. Le Guin, Joanna Russ, and Roger Zelazny. Without much forethought,​ Gibson said yes, and almost immediately regretted his decision. "I was terrified once I actually sat down and started to think about what this meant,"​ he says. "It had been taking me something like three months to write a short story, so starting something like this was really a major leap. (([[http://​www.lanceolsen.com/​neuromancer.html|lance olsen, neuromancer]]))
 +
 +To assuage his fears, Gibson sought a familiar narrative structure with which he would feel comfortable working. After some thought, he settled upon the gangster-heist plot, although he admits he "never had a very clear idea of what was going to happen in the end, except [that his characters] had to score big." (2) He also looked back to his short stories to discover what he felt had worked so far, and decided he would combine Molly'​s character from "​Johnny Mnemonic"​ with the environment and general narrative outline from "​Burning Chrome."​ "Very much under the influence of Robert Stone,"​ he generated tough characters who maneuver at the fringes of a violent society filled with addictions and paranoid conspiracies. (3) Afraid of losing the reader'​s attention, he decided to make the book into "a roller-coaster ride" with "a hook on every page." (4) As he began his project, he stumbled upon another problem; he sensed a good deal of what he was writing was comprised of "​shabbier coincidences."​ (5) To take care of this impression, he ended up reworking the first two-thirds of his manuscript a dozen times. Once he began to have a feel for the universe he was producing, and to be more confident of his technique, he also went back and made many stylistic changes. Over time, his manuscript became increasingly shorter, denser, and more complicated.
 +
 +==== Yeni dalga bilim-kurgu edebiyatı içinde Neuromancer ====
  
-[{{http://​static.ideefixe.com/​images/​120/​120194_2.jpg?​160|Altın Kitaplar tarafından basılan ​Neuromancer. Matrix filminin popülerliğinden sonra kitabın ismine bir de Matrix Avcısı ifadesi eklenmiştir. Kitap, büyük süpermarketlerde 4.90 TL gibi bir fiyata bulunabilmektedir. }}]+=== Neuromancer ​vs Blade Runner ===
  
 +BLADERUNNER came out while I was still writing Neuromancer. I was about a third of the way into the manuscript. When I saw (the first twenty minutes of) BLADERUNNER,​ I figured my unfinished first novel was sunk, done for. Everyone would assume I'd copped my visual texture from this astonishingly fine-looking film. But that didn't happen. Mainly I think because BLADERUNNER seriously bombed in theatrical release, and films didn't pop right back out on DVD in those days. The general audience didn't seem to get it, relatively few people saw it, and it simply vanished, leaving nary a ripple. Where it went, though, was straight through the collective membrane to Memetown, where it silently went nova, irradiating everything from clothing-design to serious architecture. **William Gibson** (([[http://​www.williamgibsonbooks.com/​archive/​2003_01_17_archive.asp|William Gibson, 2003]]))
  
 ===== Sinema ===== ===== Sinema =====
Satır 38: Satır 49:
  
   * [[http://​www.wsu.edu/​~brians/​science_fiction/​neuromancer.html|Study Guide for William Gibson: Neuromancer (1984)]]   * [[http://​www.wsu.edu/​~brians/​science_fiction/​neuromancer.html|Study Guide for William Gibson: Neuromancer (1984)]]
 +  * [[http://​www.lanceolsen.com/​neuromancer.html|lance olsen, neuromancer,​ 1992]]